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The whole canvas: a young couple leaning against the fuselage of a silver fighter plane with a black propeller, on a runway bathed in low sun.

WorksRoads and machines

Dernière permission

Le Yack · 2026 · oil on canvas · 80 × 80 cm

Available · from €3,700

One of a kind, sold rolled or stretched in a black floater frame, with a certificate of authenticity. Free delivery within France and the European Union.

“They are both looking the same way, out of frame, and neither says what they see. He leans against the fuselage, leather jacket open, one hand in his pocket, ankles crossed like someone who still has time. She stands straight in her rose-print dress, hands clasped in front of her, and she is the one who seems to be counting. The aeroplane takes up almost all the space: the polished aluminium throws back the sky, the low light, and even people who are not in the picture. On the wing, a man in a white shirt leans over; behind the young man, a dark figure in a beret stands with his back to us in the metal. The title says it is their last leave; they say nothing of it. The sun is low, the shadows lengthen on the runway, and the chock is still against the wheel. As long as it stays there, nothing is decided.”

— Le Yack

Le Yack leans a young couple against the fuselage of a propeller fighter in polished aluminium, on a runway striped with long shadows by the low sun. Cream dress scattered with roses, brown leather jacket, khaki trousers: the warm palette of the figures answers the blue of the sky reflected on the wing and the yellow of the aircraft’s nose. In the metal, the reflections conjure other presences, a man in a white shirt leaning over, a dark figure in a beret. An 80 × 80 cm square format, where the aeroplane fills almost the whole field and two gazes run off the same way, out of frame.

Technique
oil on canvas
Size
80 × 80 cm
Year
2026
Signature
signed by the artist, titled and dated on the back
Support
pure linen canvas
Finish
protective matt varnish
Condition
original work, one of a kind
Close-up of the couple’s faces, turned to the left, before the aircraft’s canopy and a dark figure in a beret.
Close-up of the couple’s faces, turned to the left, before the aircraft’s canopy and a dark figure in a beret.
Detail of the aircraft’s nose, yellow cowling and exhaust stubs, with the reflection of a man in a white shirt on the bluish wing.
Detail of the aircraft’s nose, yellow cowling and exhaust stubs, with the reflection of a man in a white shirt on the bluish wing.
Detail of the couple’s legs: white court shoes, rose-print dress, khaki trousers and brown shoes on the sunlit runway.
Detail of the couple’s legs: white court shoes, rose-print dress, khaki trousers and brown shoes on the sunlit runway.
The canvas in a black float frame, above a cognac leather club chair, in a loft with limewashed walls and large studio windows.
The canvas in a black float frame, above a cognac leather club chair, in a loft with limewashed walls and large studio windows.

In the same setting · Roads and machines

All his works
Le Yack, in round glasses, paints with a fine brush on a canvas laid flat in the studio.

Alexandre Pelletier, known as Le Yack, paints in oil in Orléans. A Fine Arts graduate, he spent nearly thirty years composing images as an art director before returning to the canvas.

A painting, a commission, an exhibition?Le Yack answers personally, from his studio in Orléans.

Contact Le Yack