
Marée haute
Available · from €1,200
One of a kind, sold rolled or stretched in a black floater frame, with a certificate of authenticity. Free delivery within France and the European Union.
“The sea has come into the drawing room, and she has not noticed, or else she has decided it is the right moment to dance. Barefoot, on tiptoe, she has her back to us, face raised, eyes closed; with one hand she lifts her red dress, with the other she opens the air, or the water, I no longer know which. The ceiling has become the surface: light falls from it in rays, passes through the net curtains floating before the window and comes to tremble in golden patches on the floor. Up there, the yellow fish dart in a shoal one way, the red ones the other, like two crowds that do not mix. Everything else has stayed in its place: the chest of drawers and its gilded handles, the lamp, the bouquet, the yellow sofa and its cushions. On the chest of drawers, a small glass globe keeps its own orange reflections. I did not paint a flood, I painted a waltz. When the water recedes, she will have to stop. Not before.”
— Le Yack
Le Yack floods a period drawing room: the ceiling has become the surface of the water, from which rays of light fall and through which shoals of yellow and red fish pass. In the middle of the room, a barefoot young woman, seen from behind, turns on tiptoe in a red dress she lifts with one hand, eyes closed. White net curtains suspended before the window, a dark chest of drawers on the left, a golden-yellow sofa on the right, patches of light on the floor: everything is steeped in blue. A 60 × 80 cm portrait format, where the red dress turns amid all that blue.
- Technique
- oil on canvas
- Size
- 60 × 80 cm
- Year
- 2026
- Signature
- signed by the artist, titled and dated on the back
- Support
- pure linen canvas
- Finish
- protective matt varnish
- Condition
- original work, one of a kind




In the same setting · Interiors
All his works
Alexandre Pelletier, known as Le Yack, paints in oil in Orléans. A Fine Arts graduate, he spent nearly thirty years composing images as an art director before returning to the canvas.




